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                <text>[Foto de carátula : "Yo perdí mi corazón en Lima", Alberto Santana 1933]</text>
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Presentación &#13;
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- El vitascopio llega al Perú &#13;
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- El cine Pathé y el nacimiento de las funciones divididas &#13;
- Nuevas vistas del Perú : Gaumont vs. Pathé &#13;
- 1908: Un agosto interminable &#13;
- Las primeras inversiones y la constitución de la Empresa del Cinema Teatro &#13;
- Compañía Internacional Cinematográfica y la historia de una guerra comercial &#13;
- Los costos del importador &#13;
- El fondo sonoro &#13;
- El papel creativo de los exhibidores &#13;
- Un don desapacible &#13;
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- La mutación de las costumbres &#13;
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- La crisis del teatro &#13;
- La Gran Guerra &#13;
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- Empresa de Teatros y Cinemas &#13;
- Lima, ciudad cinematográfica &#13;
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Capítulo 2. Segundo período: 1919-1930 /&#13;
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- Camino de la venganza &#13;
- El cine de los hacendados &#13;
- Los días de Mundial &#13;
- El filme de La Prensa &#13;
- David y Goliat &#13;
- Radio y cine &#13;
- Pedro Sambarino &#13;
- La censura institucional &#13;
- Páginas suprimidas &#13;
- El periodismo cinematográfico &#13;
- El Estado como productor cinematográfico &#13;
- El bandolero Luis Pardo &#13;
- Enzo Longhi y La Perricholi &#13;
- Las agencias norteamericanas &#13;
- Asociación Nacional de Cinematografistas &#13;
- La música de los cines &#13;
- El debate del sonoro &#13;
- Peruanos en Hollywood y en otras partes &#13;
- El chileno Santana &#13;
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Capítulo 3. Tercer período: 1930-1934 / &#13;
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- Los rivales de Santana &#13;
- La censura previa &#13;
- La película del Partido Aprista &#13;
- Largometrajes del período 1930-1934 &#13;
- Otras películas peruanas del período 1930-1934 &#13;
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